Did you notice how Omar continued playing the song when he went into his first solo, then he'd work on little themes and expand them? Compare that to the Pearl guy's lame-ass double bass stuff. BORING.
I think the coolest part of Omar's solo was that slow groove in three on the high-hat with the rimshot. How hip was that. For those who weren't there, he was really mixing it up at one point and said to the crowd, "You know what I'm sayin'?" and everybody cheered. It just shows, you can play a slow, quiet groove in three and move the audience more than some guy doing double bass crap.





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